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Apr 14, 2017 - Praise for The Screenwriter's Bible A “bible” for those of all persuasions. Whether you are a rank beginner who needs instruction, or an old pro.

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This book provides a concise presentation of screenwriting basics. The author shows the correct formats for both screenplays and teleplays, and takes the writer through the writing and marketing process.
Published September 15th 2005 by Silman-James Press (first published November 1st 1994)
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Apr 10, 2010Ann rated it it was amazing
Recommends it for: Screenwriters - especially new/unsold screenwriters
FOURTH EDITION
This is a fantastic addition to the aspiring (and maybe accomplished) screenwriter.
The book is broken down into sections, which author Trottier states you can read in any order (but suggests you go cover to cover if you can). Mostly I read the book from start to finish, but a few sections I skipped and read at the end.
I like that Trottier gives solid examples of proper formatting. But he also gives pointers on how to strengthen a script's story, structure and depth.
I like that Trot
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Apr 02, 2013Joe Albanese rated it it was amazing · review of another edition
This books tells you everything a beginning screenwriter needs to know abut the screenwriting business. The first half of the book teaches you how to write a great screenplay (how to create characters, story concepts, plot points, etc) along with formatting information so your script looks how people in the industry expect it to look. He then gives a detailed explanation of how to sell your screenplay and really start your writing career. It gives a potential screenwriter great insight into the...more
Sep 14, 2011Jim rated it really liked it
Recommends it for: Aspiring screenwriters and film makers
Shelves: cinema, non-fiction, writing-creativity, author-north-american, 20th-century
This book is chock-full-o useful information about how to format your scripts. It might seem like a minor point, and you might have the mindset, 'Well, my story is so good, they'll overlook any formatting errors.' However, professional script readers have tons of scripts cross their desk and if they see a bunch of formatting errors, they are likely to assume they are dealing with an amateur and may toss your script aside unread.
Anyway, Trottier's book is like a Strunk and White's for the screen
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Jun 18, 2016Kristin Dow rated it really liked it · review of another edition
An essential guide for aspiring screenwriters that covers all the bases. Easy to read. I'm sticking with novels for now, but this manual helped me get on track and get going on my next book. I'd only suggest that Trottier use more popular/classic movie examples to illustrate his points vs. his own scripts (Like he did so well with Casablanca). A reader can take away more from his point if they know the material.
This book is primarily for people who want to write a screenplay or sell a subsequent screenplay they have written. But it's a testament to David Trottier's writing style that even with this sort of niche format, there's a solid readability that makes this an enjoyable book regardless.
The highlight is when he breaks down the outline elements that go into a script, the beats that come up in screenplays across the board. He makes this a pleasant read by using examples from well known films, blendi
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Oct 12, 2015Jozeph Daniel rated it really liked it
كتاب the screen writer's bible او انجيل السيناريست
اتسمي بالاسم ده لانه بيعتبر من اكتر الكتب المقدسة عند السيناريست او كاتب الفيلم ... لأنه مليان بbasics او قواعد دايما بترَجع اي مؤلف للمسار الصحيح في الكتابة و الاكثر عمقا في خلق الشخصيات و صناعة الحبكة و تعلم التيمة و ال genre
انا اشتريت الكتاب ده من Amazon
لكن عملا بمبدأ التبشير زي ما حصل في الانجيل ... انا كمان هبشر بالكتاب ده جدا
لو اي حد حابب يتعرف علي الكتاب و محتواه يقولي .... هبعتله الفهرس
اما لو عجبك محتوي الكتاب فـ ياريت تقولي انك محتاج
...more
Simply the best formatting guide for screenplays.
There is not a better resource and it has a permanant place bside my desktop for finding out obscure rules for formatting.
Add on some great advice for writing, and it should be on every writer desk.
I actually read this in 2007 when my sister-in-law converted my novel Rendezvous Rock to a screenplay. Both of us knew nothing about writing a screenplay and found it extremely informative. I recommend it for anyone who is contemplating writing their first screenplay.
Jan 17, 2015Celise rated it it was amazing
Super helpful on formatting!
Jun 13, 2017Joey rated it really liked it
Very informative, especially in regards to formatting.
Aug 10, 2017William Adams rated it it was amazing
This “Bible” is very informative, detailed, well-organized and accessible; more comprehensive and with a wider range of examples than Syd Field’s classic, Screenplay. On the other hand, it’s nearly 500 pages of 8.5” x 11” text, so it’s formidable. Despite that, it wears its organization on its sleeve and is easy to navigate.
Five sections describe and discuss aspects of writing and selling your script. The first three cover basic principles of storytelling, how to write a script (or any compelli
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It's nothing you have not read 10 times before if you have already written for some years. But it's not bad. All the essential stuff is here. All the stuff you keep telling beginners about :-)
Pro:
The book is great for beginners. I wish actually I had read it after writing my first screenplay. There are a lot of really essential tips here. Of course today many of the tips appear on Youtube too. But most of them are still only found in books such as this one. Or websites. And it's very well writte
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This book won't write the screenplay for you, but it can do pretty much everything but that. I've always wanted to enter the screenwriting field, but I've always been fearful of the different formats and expectations from fiction. Trottier's Screenwriter's Bible will explain every single one of these details. If I let fear hold me back now, I can't blame it on ignorance. Every aspect of a screenwriting career is covered in this lengthy volume. It is a giant, unwieldy thing, but what do you expec...more
Jan 20, 2018Kaye Bewley rated it it was amazing · review of another edition
Bible
This is one fantastic book. It is written in easy style and formatted logically so college students and embarking on a career in the trade of writing for screen can learn everything they need to know - and I mean everything!
Thankfully, it also applies to those who are well-versed in the business of writing stories that are to be made into movies. You can use it as a 'primer' or reminder, a useful book to dip into when you need a memory jogger.
Divided into five parts it takes you through the ste
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Jul 01, 2017Luke Morris rated it really liked it · review of another edition
This was my textbook for a graduate course in screenwriting. Its organization is a bit confusing, but most of the information is on point. Especially useful are the sections on treatments and screenplay formatting.
Sep 15, 2017Michael rated it it was amazing
This was a very helpful book. I learned so much.
It was fun too. Most of the book is about story, not scriptwriting, but the characters and plots are lifted from films. I have a sense now of a feedback loop, how viewing the story from an eventual script can enhance an original novel.
Jan 04, 2019Dorothy Harris rated it it was amazing
Great advice and detailed steps to help sell your script.
Apr 18, 2019Martin Felando rated it really liked it
Worked with Mr. Trottier on several of my screenplays, this is an excellent book on screenwriting.
Simply put, this is the best book on screenwriting I've ever read.
Very helpful and simple for beginners. I can't wait to use what I've learned.
Jan 20, 2018Kathryn Priestley rated it it was amazing
Aug 26, 2017K.S. Lewis rated it

Screenwriter's Bible 6th Edition Free

really liked it
Shelves: books-i-own, school-readings, read-in-2017
Insightful and a book I will keep with me for as long as I am screenwriting.
Oct 26, 2013Melissa rated it it was amazing · review of another edition
What are the basics of screenwriting? What does a screenplay look like? What’s the basic format and structure? How do you format things like flashbacks?
One of my husband’s co-workers was at square one, he had what he believed was a good idea for a movie, but he didn’t know how to write it. He’d never written or read a script before. I didn't even need to look at my screenwriting books to know exactly which one he'd get the most value from. I went right to this book. The man almost moved cross-c
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Sep 08, 2014Al Schmitty rated it it was ok · review of another edition
Trottier is giving us bad information: he's saying that there's a major difference between a spec script and a shooting script. There isn't. The one difference is that shooting scripts have scene numbers for production. Directors don't put in camera angles after the script is purchased. When you see a script with every camera angle in it, it's a Continuity Script, assembled after the film is edited, for copyright and other legal records. Working pros know this, but new writers don't.
Trottier's e
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Jan 26, 2015Rachel Frank rated it liked it · review of another edition
Bible correctly describes this book. It's dense and huge. While the information was good, the book itself is HUGE. So huge I couldn't comfortable read it and ended up selling the print copy and buying the ebook just so I could manage to hold it. The information was good and as a beginning screenwriter I got some tips from it. Overall, I felt I got better info from Syd Field's Screenplay and Blake Snyder's Save the Cat for the basics. Together those books give you a lot more food for thought and...more
Jan 24, 2014Kelan O'Connell rated it really liked it · review of another edition
A great resource that covers the many aspects of screenwriting, including the realities of the business side that anyone attempting to shop a screenplay must fully understand.
As someone who turned a screenplay into a novel, I recently went back to update and polish the spec my novel was based on. Reading the 'Bible' again has been a great refresher course.
If you're already grounded in story structure, screenplay formatting, and the business end of Hollywood, I highly recommend getting David's T
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Mar 31, 2014MJ rated it it was amazing · review of another edition
Although no books can completely solidify the experience, from one perspective, of collaborating and producing a film, this manual has all the techniques answering a newbie's questions in regard to screenwriting. If only one book is acquired, or even a first book, for the subject of screenwriting, this should be the first one purchased.
I have two shelves of screenwriting books and manuals, and two of them are this title. One of them is so marked up, highlighted and dog-eared, I keep it for note
...more
Jun 04, 2007elizabeth added it
Shelves: on-writing
I signed up on scriptfrenzy.org to write a screenplay this month. So far I am behind by roughly 2,521 words (the site suggests writing 667 per day to achieve the 20,000 word count by the end of June). Don’t people say that admitting goals publicly (or on goodreads) is a way of motivating/shaming oneself? In any case, this book seems like a good resource so far, though perhaps it’s time to stop reading and try writing (isn’t that always the case?).
Mar 02, 2013Soul Rhallin rated it it was amazing · review of another edition
This book truly lives up to its title. Any and every question I have had about writing and distributing screenplays, I have found a relevant answer to.
The writing is unfettered by unfamiliar jargon, plainly communicated, ans liberally sprinkled with examples. I keep this book on hand at all times.
If you are new to writing screenplays, or looking for some fresh tools to incorporate into your current screenwriting endeavors, I highly recommend this book.
Jul 08, 2008Michael Lawrence rated it it was amazing
Recommended to Michael by: Evan Somers
This was the textbook I had to buy for my very first screen writing class about 4 years ago. And I still use it for reference from time to time not to mention have I yet to find a better ref style book for Hollywood Screen writing.
This is well written, well organized and easy to understand. The workshop method will have you writing in no time and before you know it you will be finishing a script.
Great book for all screen writers.
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The Lost Symbol
AuthorDan Brown
CountryUnited States
United Kingdom
LanguageEnglish
SeriesRobert Langdon #3
GenreCrime, Mystery, Thriller
PublisherDoubleday (US)
Transworld (UK)
Publication date
September 15, 2009[1]
Media typePrint (hardcover & paperback), eBook, audio book
Pages528 Hardcover
671 Paperback
ISBN978-0-385-50422-5 (US) 9780593054277 (UK) 9780552161237 (Corgi Edition)
Preceded byThe Da Vinci Code
Followed byInferno

The Lost Symbol is a 2009 novel written by American writer Dan Brown.[2][3] It is a thriller set in Washington, D.C., after the events of The Da Vinci Code, and relies on Freemasonry for both its recurring theme and its major characters.[4]

Released on September 15, 2009, it is the third Brown novel to involve the character of Harvard UniversitysymbologistRobert Langdon, following 2000's Angels & Demons and 2003's The Da Vinci Code.[2] It had a first printing of 6.5 million (5 million in North America, 1.5 million in the UK), the largest in Doubleday history. On its first day the book sold one million in hardcover and e-book versions in the U.S., the UK and Canada, making it the fastest selling adult novel in history.[5] It was number one on the New York Times Best Seller list for hardcover fiction[6] for the first six weeks of its release,[7] and remained on the list for 29 weeks. As of January 2013, there were 30 million copies in print worldwide.[8]

  • 3Publication details

Plot[edit]

Renowned Harvard symbologist Robert Langdon is invited to give a lecture at the United States Capitol, at the invitation apparently from his mentor, a 33rd degreeMason named Peter Solomon, who is the head of the Smithsonian Institution. Solomon has also asked him to bring a small, sealed package which he had entrusted to Langdon years earlier. When Langdon arrives at the Capitol, however, he learns that the invitation he received was not from Solomon, but from Solomon's kidnapper, Mal'akh posing as Solomon's assistant, who has left Solomon's severed right hand in the middle of the Capitol Rotunda in a recreation of the Hand of Mysteries. Mal'akh then contacts Langdon, charging him with finding both the Mason's Pyramid, which Masons believe is hidden somewhere in Washington, D.C., and the Lost Word, lest Solomon be murdered.

Langdon meets Trent Anderson, head of the Capitol police, and Inoue Sato, the head of the CIA's Office of Security. Sato claims that Mal'akh poses a threat to the national security of the U.S. and that his capture is more important than Peter's rescue, although she refuses to elaborate. Examining Solomon's hand, they discover a clue leading them to Solomon's Masonic altar in a room in the Capitol's sub-basement, where they find a small pyramid lacking a capstone, with an inscription carved into it.

Sato then confronts Langdon with the security x-ray taken of his bag when he entered the Capitol which reveals a smaller pyramid in the package Langdon brought in response to the request by the kidnapper posing as Solomon's assistant. Langdon explains that he was unaware of its contents, but Sato, refusing to believe it, attempts to take Langdon into custody. Before she can arrest him, however, she and Anderson are assaulted by Warren Bellamy, the Architect of the Capitol and a Freemason, who then flees with Langdon in the confusion. He later explains to Langdon that he too has been in contact with Mal'akh and wants Langdon's assistance in rescuing Peter.

Mal'akh is revealed to be a Freemason with tattoos covering almost his entire body. He infiltrated the organization in order to obtain an ancient source of power,[9] which he believes Langdon can unlock for him in return for Peter Solomon's life. Several chapters also delve into Mal'akh's history with Peter Solomon: many years earlier, Peter bequeathed a large sum of inheritance money to his rebellious son, Zachary, who then fled the Solomon household and led a reckless life in Europe until he was arrested and imprisoned in Turkey for smuggling drugs. Peter flew to Turkey but decided to have Zachary extradited in a week's time instead of getting him released immediately in order to teach him a lesson. Zachary was apparently murdered by his cellmate who got his hands on Zachary's fortune and fled to Greece to lead a luxurious life under the name Andros Dareios. Dareios, however, soon grew tired of his life. Apparently having spoken with Zachary about Solomon's life as a Mason, Dareios broke into Solomon's home to find the pyramid, but accidentally killed Peter's mother Isabel and was in turn shot and left to fall into a frozen river by a vengeful Solomon. Surviving the fall, Dareios nursed himself back to health, covered his scars and eventually his entire body with tattoos and set off on a mission to infiltrate the Freemasons and gain access to their secrets, adopting the name Mal'akh.

As Langdon deals with the events into which he has been thrust, Mal'akh destroys the Smithonsonian-sponsored laboratory of Dr. Katherine Solomon, Peter's younger sister, where she has conducted experiments in Noetic Science, in the process ambushing and almost killing Katherine in a cat-and-mouse chase, but Katherine manages to escape and meet up with Langdon and Bellamy. Eventually, when cornered by the authorities, Bellamy is forced to give himself up while Langdon and Katherine escape. Both are later apprehended by Sato's team. Following clues regarding Mal'akh's previous identity as Peter Solomon's psychiatrist, Dr. Christopher Abaddon, Sato allows Langdon and Katherine to rush to his mansion to confront him, but Mal'akh ambushes them and murders their CIA escort. Meanwhile, as he is being interrogated by Sato, Bellamy expresses belief that Sato is working with Mal'akh but Sato assures Bellamy that she is also pursuing Mal'akh in the interest of national security and displays evidence that visibly shocks Bellamy.

Mal'akh places Langdon into an airtight sensory deprivation tank, where he interrogates Langdon by slowly filling the tank with liquid. He is able to convince Langdon to decipher the code at the pyramid's base, but continues to fill the tank until Langdon drowns and apparently dies. Mal'akh then ties Katherine to a chair and inserts an open-ended transfusion needle into her arm and leaves her to bleed to death then flees with a weakened and wheelchair-bound Peter Solomon to the Temple Room of the Scottish Rite's House of the Temple. He uses the threat of not calling an ambulance for Katherine as further coercion for Peter's cooperation. Sato leads a team of agents to the mansion after Langdon and Katherine's escort fails to check in and are able to save Katherine's life. After a near-death experience, Langdon is revealed to have survived due to the 'water' in the tank actually being breathable oxygenated liquid and the tank being a device for meditation. Sato, Langdon and Simkins race to the House of the Temple where Mal'akh threatens to release a heavily edited video showing government officials performing secret Masonic rituals (the same video that Sato showed to Bellamy), which without context, appears highly disturbing. Mal'akh forces the Word—the unpronounceable circumpunct—out of Peter and tattoos it on his head on the last portion of unmarked skin on his body. Mal'akh then orders Peter to sacrifice him, as he believes that it is his destiny to become a demonic spirit and lead the forces of evil. When Peter claims that he will do so without hesitation to avenge his son and mother, Mal'akh shocks Peter by revealing that he is actually Zachary Solomon himself, having conspired with the prison warden to fake his death by disfiguring the body of another inmate beyond recognition (at the same time, Katherine and Bellamy discover several photos of Zachary in Greece after his supposed death that show his gradual transformation into Mal'akh). With tears in his eyes, Peter prepares to stab Zachary but ultimately cannot bring himself to do so and drops the knife just as Langdon arrives and tackles him. Director Sato arrives at the Temple in a helicopter, which smashes the Temple's skylight, the shards of which fatally impale Zachary. The CIA then thwart Zachary's plan to transmit the video to several leading media channels using an EMP blast, disabling a cell tower in the network path leading from Zachary's laptop computer. Katherine arrives and she and Langdon then share a tearful reunion with Peter and mourn Zachary's death. Zachary is only briefly able to lament his body's mutilation before dying.

Later, Peter informs Langdon that the circumpunct Zachary tattooed on his head is not the Word. He also informs Katherine that he made back-ups of all of her noetic research data on his own computer, meaning her research can continue. Deciding to take Langdon to the true secret behind the Word, Peter leads him to the room atop the Washington Monument and tells him that the Word—a common Christian Bible, the Word of God—lies in the monument's cornerstone, buried in the ground beneath the monument's staircase. Langdon realizes that the symbols on the pyramid's base spelled out the words Laus Deo which translate to Praise God. These words are inscribed on the small aluminum capstone atop the Monument, which is the true Masonic Pyramid.

Peter tells Langdon that the Masons believe that the Bible is an esoteric allegory written by humanity, and that, like most religious texts around the globe, it contains veiled instructions for harnessing humanity's natural God-like qualities—similar to Katherine's noetic research—and is not meant to be interpreted as the commands of an all-powerful deity. This interpretation has been lost amid centuries of scientific skepticism and fundamentalist zealotry. The Masons have (metaphorically) buried it, believing that, when the time is right, its rediscovery will usher in a new era of human enlightenment.

Characters[edit]

  • Robert Langdon: A professor of symbology at Harvard University and the protagonist of the novel.
  • Mal'akh: A Mason whose body is covered with tattoos and the novel's main antagonist. Formerly known as Zachary Solomon, the son of Peter, was arrested in Turkey for drug possession. During his incarceration he overheard a conversation between his father and the prison warden reaffirming that Peter would not pay for Zachary's release as he did not wish his son to believe that money was able to waiver all punishment, especially one of the magnitude of drug possession. Angered, Zachary conspired with the warden to have his cell-mate killed and proceeded to report Zachary dead. Zachary broke out under the name Andros Dareios for several years and took on a whole new life-style in Greece. After much growth hormones and steroid indulgence, he began to bore of this life-style and began to cultivate his mind in the Masonry ideals and practices. He renamed himself Mal'akh after an attempt to obtain the Masonic secrets from his father, breaking into their home, and killing his grandmother. Mal'akh sees himself as a physical manifestation of the angel Moloch, as he worshipped the Black Arts in order to grow stronger and he performed numerous aspects of black magic which allowed the angel to enter his body. Mal'akh is the Hebrew word for 'angel'. Throughout the book, he also uses the name Dr. Christopher Abaddon to gain his father's trust, and Andros Dareios, a name he used while hiding out in Greece before the book's events. Of note, he is the first antagonist in the Robert Langdon series who serves as both the killer and the mastermind of the events in the novel, with all other killers merely acting on behalf of the mastermind.
  • Peter Solomon: A Smithsonian secretary, billionaire philanthropist, Freemason, father of Zachary Solomon, and close friend of Robert Langdon. His kidnapping sets into motion Langdon's race to find the Mason's Pyramid and the Lost Symbol.
  • Katherine Solomon: Noetic scientist, sister of Peter Solomon, aunt of Zachary Solomon.
  • Trish Dunne: Katherine's metasystems analyst. She is murdered by Mal'akh while in his Dr. Abaddon disguise, when he drowns her in the ethanol-filled tank preserving a Giant Squid.
  • Isabel Solomon: mother of Peter and Katherine Solomon and grandmother of Zachary Solomon. She was killed ten years before the events of the book by Zachary, disguised as Andros Dareios.
  • Warren Bellamy: Architect of the Capitol and fellow Freemason to Peter Solomon. He aids Langdon and Katherine Solomon by helping them escape from Inoue Sato, briefly suspecting her of helping Mal'akh, but he later learns that he and Sato are on the same side.
  • Inoue Sato: the second-generation Japanese-American Director of CIA's Office of Security, from whom Langdon must flee after she accuses him of criminal acts.
  • Reverend Colin Galloway: Dean of Washington National Cathedral and fellow Freemason to Peter Solomon and Warren Bellamy.
  • Trent Anderson: Capitol police chief.
  • Jonas Faukman: Langdon's New York editor (named for Brown's real-life editor, Jason Kaufman).[10]
  • Nola Kaye: CIA analyst, named after Elonka Dunin, Kryptos expert[11][12][13]
  • Omar Amirana: A taxi driver
  • Mark Zoubianis: A hacker hired by Trish and Katherine to hack into an encrypted document.

Publication details[edit]

The Lost Symbol had been in development for several years; originally expected in 2006, the projected publication date was pushed back multiple times.[14] When officially announced, the hardcopy book was on pre-order lists for months leading up to its release, being heavily ordered both in the United States and Canada.[15][16] The book was published on September 15, 2009 with an initial print run of 6.5 million copies, the largest first printing in publisher Random House's history.[17][18] Electronic versions such as eBook[19] and Audible book versions[20] were also made available on the same date.[21] The American release audio book was read by Paul Michael, who also performed the audio book for The Da Vinci Code.

The book immediately broke sales records, becoming the fastest selling adult-market novel in history, with over one million copies sold on the first day of release. By the end of the first week, a total of two million copies had been sold in the U.S., Canada, and UK.[22] According to the publisher, the rapid sales prompted the printing of an additional 600,000 hardcover copies to the 5 million initially printed for the US market.[5] On its first day the book became the #1 bestseller on Amazon.com,[23] and the Amazon Kindle e-reader edition became the top-selling item on Amazon.com, outselling Amazon's sales of the hardback copy of the novel, which is the sixth best selling book of 2009 on pre-publication orders alone.[24]The Lost Symbol also ranked as the #1 bestseller in Amazon's Canadian and British sites.[25][26] Both Barnes & Noble and Waterstone's reported the book has broken all previous records for adult fiction in the United Kingdom.[27][28] According to Nielsen BookScan data, 550,946 copies of The Lost Symbol were sold in its first week of sale, taking $7.49 million. By the end of the second sales week, Transworld intended to have 1.25 million copies printed.[29]

By September 25 the book ranked #1 in the New York Times Best Seller list for hardcover fiction.[6]

Reception[edit]

The New York Times praised the book as being 'impossible to put down' and claimed Brown is 'bringing sexy back to a genre that had been left for dead.' Nevertheless, it noted the overuse of certain phrases and italics, as well as the lack of logic behind characters' motivations. It also likened Inoue Sato to Jar Jar Binks.[30]Los Angeles Times said, 'Brown's narrative moves rapidly, except for those clunky moments when people sound like encyclopedias.'[31]Newsweek called the book 'contrived', saying that to get through The Lost Symbol, just like The Da Vinci Code, it was necessary to swallow a lot of coincidences, but the book was still a page-turner, and that Brown 'is a maze maker who builds a puzzle and then walks you through it. His genius lies in uncovering odd facts and suppressed history, stirring them together into a complicated stew and then saying, what if?'[32] The National Post's review called it a 'heavy-handed, clumsy thriller' and that the character of the villain (Mal'akh) 'bears an uncomfortably close similarity' to the Francis Dolarhyde character in Thomas Harris' 1981 novel Red Dragon.[33] The Daily Telegraph said the novel was 'not quite the literary train-wreck expected.'[34]TIME said the plot was fun, if bruising, but 'It would be irresponsible not to point out that the general feel, if not all the specifics, of Brown's cultural history is entirely correct. He loves showing us places where our carefully tended cultural boundaries — between Christian and pagan, sacred and secular, ancient and modern — are actually extraordinarily messy.'[35] Novelist William Sutcliffe's review in the Financial Times panned the book as 'a novel that asks nothing of the reader, and gives the reader nothing back', adding that it 'is filled with cliché, bombast, undigested research and pseudo-intellectual codswallop'.[36] The digested read by John Crace in The Guardian ends with Robert Langdon begging Dan Brown 'Please don't wheel me out again.'[37] Slovene philosopher and cultural critic Slavoj Žižek described the book as 'a candidate for the worst novel ever'.[38]

Film[edit]

Following the worldwide successes of The Da Vinci Code in 2006[39] and Angels & Demons in 2009,[40] which were both based on Brown's novels, starring Tom Hanks as Robert Langdon and produced and directed by Ron Howard, Columbia Pictures began production on a film adaptation of The Lost Symbol.[41][42] Hanks and Howard were expected to return for the film adaptation of The Lost Symbol, along with the franchise's producers Brian Grazer and John Calley. Sony Pictures eventually hired three screenwriters for the project, beginning with Steven Knight[43] and then hiring Brown himself.[44] In March 2012, Danny Strong was also hired to collaborate on the adaptation.[45]

According to a January 2013 article in Los Angeles Times, the final draft of the screenplay was due sometime in February, with pre-production expected to start in the mid-2013.[8] In July 2013, Sony Pictures announced they would instead adapt Inferno for an October 14, 2016[46] release date with Howard as director, David Koepp adapting the screenplay and Hanks reprising his role as Robert Langdon.[47]

See also[edit]

  • Lynne McTaggart, cited in the novel as being a source of inspiration for Katherine Solomon
  • Almas Temple, a Shriner temple and location in the story
  • Kryptos, a sculpture by artist Jim Sanborn located on the grounds of the CIA in Langley, Virginia
  • National Treasure, a film with a similar plot

References[edit]

  1. ^Italie, Hillel (April 20, 2009). 'New Dan Brown novel coming in September'. Associated Press. Archived from the original on April 24, 2009. Retrieved April 20, 2009.
  2. ^ abCarbone, Gina (April 20, 2009). 'Dan Brown announces new book, 'The Lost Symbol''. Boston Herald. Retrieved April 20, 2009.
  3. ^'ET Breaks News: Dan Brown Has Finished New Book' ETonline, February 12, 2009
  4. ^'Keys to Dan Brown's Solomon Key'. Retrieved December 20, 2008.
  5. ^ abRich, Motoko (September 16, 2009). 'Dan Brown's 'Lost Symbol' Sells 1 Million Copies in the First Day'. The New York Times. Retrieved September 16, 2009.
  6. ^ ab'Best Sellers: Hardcover Fiction'. New York Times. September 25, 2009. Retrieved September 26, 2009.
  7. ^'Best Sellers: Hardcover Fiction'. New York Times. November 20, 2009. Retrieved November 25, 2009.
  8. ^ abNicole Sperling (January 15, 2013). 'Dan Brown: What's the film status of his book 'The Lost Symbol'?'. Los Angeles Times. Retrieved January 22, 2013.
  9. ^De Vera; Ruel S. (September 15, 2009). 'Dan Brown's 'Lost' is no 'Da Vinci Code''. Philippine Daily Inquirer. Retrieved September 14, 2009.
  10. ^Burstein, Dan (2009). 'Exploring the complex cosmos of The Lost Symbol'. In Daniel Burstein & Arne de Keijzer (editors) (eds.). Secrets of the Lost Symbol: The Unauthorized Guide to the Mysteries Behind The Da Vinci Code Sequel. Harper Collins. pp. 3–48. ISBN978-0-06-196495-4.CS1 maint: Uses editors parameter (link)
  11. ^Dunin, Elonka (2009). 'Kryptos: The Unsolved Enigma'. In Daniel Burstein & Arne de Keijzer (editors) (eds.). Secrets of the Lost Symbol: The Unauthorized Guide to the Mysteries Behind The Da Vinci Code Sequel. Harper Collins. p. 319. ISBN978-0-06-196495-4. Dan Brown himself has admired Dunin's work and paid her the stellar compliment of writing her into The Lost Symbol as Nola Kaye . . .CS1 maint: Uses editors parameter (link)
  12. ^Taylor, Greg (2009). 'Decoding Kryptos'. In John Weber (ed.). Illustrated Guide to the Lost Symbol. Simon & Schuster. p. 161. ISBN978-1-4165-2366-6.
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Further reading[edit]

  • Brown, Jeffrey, 'Decoding the Hidden Secrets of Dan Brown's D.C.', The NewsHour with Jim Lehrer, September 24, 2009. Transcript.
  • Hodapp, Christopher, 'Deciphering The Lost Symbol: Freemasons, Myths and the Mysteries of Washington D.C.', January, 2010.
  • Mendis, Patrick, 'TRADE for PEACE: How the DNA of America, Freemasonry, and Providence Created a New World Order with Nobody in Charge', February, 2009.
  • McTaggart, Lynne, A list of some the things Brown borrowed from McTaggarts Intention Experiment-research in regard of the scientific research of Katharine Solomon, October, 2009

External links[edit]

Wikiquote has quotations related to: The Lost Symbol
  • Washington Post, November 1, 2005, 'The man who's riding Dan Brown's 'code' tails'
  • Brown, Dan (September 13, 2009). 'Excerpts from Prologue and Chapter 1 of The Lost Symbol'. The Parade. Retrieved September 13, 2009.
  • The Lost Symbol on IMDb

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